Urban Landreports on the importance of public spaces in making livable communities work. Specifically, the article focuses on the value of parks, gardens, rooftop gardens, and other spaces in urban environments, as well as the return that they generate. The High Line, in New York City, for example, cost the city $115 million in public funds and $44 million from the private sector, but increased boosted property values around the 1.5-mile elevated former freight rail line by as much as $2 billion and added 12,000 jobs to the local economy. That’s a killer ROI.
In addition, the article notes that safety and accessibility are key, as is adaptability. If the park or public space cannot be used for other purposes, then in many cases it may as well not be built. Hopefully the planners of the Riverfront Park Master Plan will keep this in mind when working on designs. We’ve also heard that the South Hill Coalition has some pocket parks and other small urban spaces up their sleeves as well, so perhaps we could see some nice urban spaces in neighborhoods in our future.
What do you think? Could Spokane use more urban spaces? What does the ROI for the High Line tell you about the economic potential of open space and public space investment? Share your comments here, on Facebook, on Twitter, or in person. We love to hear from you!
Spokane’s Volume Music Festival, which is sponsored by the Inlander, is a fantastic event that has grown by leaps and bounds since its early days several years ago. Now being held for two days in late May, Volume has exceeded the wildest expectations of many, helping to launch newer groups and grow fan bases.
But let’s dream bigger. How about attracting some more regional acts? How about using new venues (that Riverfront Park amphitheater can’t be completed soon enough)? How about committing to making the event 100% all-ages? We’re looking forward to this year’s edition of Volume, but we can’t help but wonder what the year after will bring, or the year after that. Let’s hope it retains its hyper-local, non-commercialized roots while finding a good mix of local, regional, and perhaps smaller national (think indie bands with smaller fanbases) acts. There’s much to love about Spokane’s music scene, and Volume is an ode to its liveliness and authenticity.
New renderings were unveiled Friday illustrating a possible future for Riverfront Park. Under this scenario, the U.S. Pavilion, the most iconic piece of the legacy of Spokane’s World’s Fair in 1974, would be extensively remodeled with a new night-lit superstructure underneath the cables. This is in stark contrast to the last plan we heard, which would have recovered the entire pavilion with a new type of durable teflon-coated fiberglass.
Also released were images of a potential new building for the Looff Carousel (which nicely matches the style Fountain Cafe, built in 2013, while more than doubling the square footage) and for a world-class climbing gym that has been proposed by a private developer for the North Bank. It’s anticipated that a bond measure will be brought to voters in November to pay for these improvements.
We won’t lie: the Riverfront Park plans, combined with Walt Worthy’s Convention Center Hotel and the remodeling of the Bennett Block and the former Huppin’s Building, promise to do more for Spokane than anyone realizes. The next few years are set to bring a lot of positive change to downtown, and we’re so excited to be sharing it with you.
Even now, Spokane is pretty proud of Expo ’74. As the smallest city to ever host a World’s Fair, we certainly have a right to be proud of the accomplishment. #spokanerising does its part with an Expo 74-inspired favicon and social media icons. But Expo really did clean up our dilapidated downtown. It really did relocate dozens of acres of railroad facilities, and it really did permanently throw our “Skid Row” of sorts, West Trent (now Spokane Falls Boulevard), out of the picture. Our Fair was the first ever to have an environmental theme, “Celebrating Tomorrow’s Fresh New Environment.” And no less, we had the chutzpah to celebrate the planet in an era defined by the consumption and excess of a steadily-growing American middle class.It was a bold statement on the part of a bold city.
But what is the legacy of Expo ’74? What has been the lasting benefit to our city and region?
Spokane needs a world-class downtown concert amphitheater. Shown here is Chicago’s Jay Pritzker Pavilion, a 11,000-capacity bandshell located on the shores of Lake Michigan. Luckily, just such a plan is in the works for completion as a part of the Riverfront Park Master Plan. While Spokane’s venue will probably hold more like 5,000-6,000 people, we do hope that planners take cues from Chicago’s stunning, award-winning design.
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